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Refleksi film dari sudut pandang personal—dari kisah eksistensial Plankton hingga perjuangan imigran di Bogotá. Setiap ulasan adalah perjalanan emosional dan analisis mendalam.
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Latest Articles
Crítica de 'Faces' (1968)
El primer hit notorio a nivel crítico de John Cassavetes. ‘Faces’ es un crudo y audaz retrato de la disolución de un matrimonio. La película sigue a Richard y Maria Forst (John Marley y Lynn Carlin), cuya relación se desmorona, llevándolos a explorar encuentros y relaciones fugaces. El eco de …
Crítica de 'El caballo de Turín' (2011
Si la película es reconocida por algo, es su estilo. Fotografía en blanco y negro, escasos planos y contadas elipsis, situadas casi enteramente dentro de una humilde casa. Hablamos de un cine lento, que reduce al mínimo sus acciones y movimientos. Parte de una extensa duración, de forma que cada …
Crítica de 'Love Actually' (2003)
Asumimos la suspensión de la credibilidad para cada género, incluidas las comedias románticas. Lo que nos exige atenernos a ellas es, en cierto modo, también el motivo por el que las vemos. Sabemos que, al final, aunque partamos de la comicidad, y aunque durante todo el relato pueda ser su …
A ★★★ review of Transformers: Age of Extinction (2014)
Michael Bay uses his sunburnt, hopped-up-on-energy-drinks franchise of murderous giant toys to portray the fight for America's soul as one fought between the evil and the useless, while the whole world suffers the destructive consequences, allies are betrayed and innocents are crushed.A master visualist even when he obviously couldn't care …
Power Couples: the Letterboxd crew’s favorite movie romances
For Valentine’s Day, Letterboxd staff and contributors celebrate the cinematic couples who make us swoon, sigh and shout, “Love is real!”—from Jackie Brown and Max Cherry to Charles Grodin and Miss Piggy.
No Place Like Home: Walter Salles and Fernanda Torres on time-traveling to honor the family of I’m Still Here • Journal • A Letterboxd Magazine
It took Walter Salles twelve years to return to narrative filmmaking and sixteen to be back in his home country of Brazil, but I’m Still Here is worth the wait. As I write this, the director has just made history by helming the first-ever Brazilian film to be nominated for …
Film Review: The Florida Project (2017)
Set in the backdrops of the enchanting Disney World is a purple-hued motel called Magic Castle. It houses all kinds of people- whether it be tourists looking for a cheap stay or the working class who've turned it into a permanent lodging. Well, atleast for our 6-yr-old Moonee and her …
A ★★★★½ review of The Pledge (2001)
Rewatched - December 30, 2024 I first saw The Pledge when I was in High School after I read that the movie was on The Great Movie List by Roger Ebert. Great cast, plot and ending, what could I ask for more?
The Pledge (2001) - Rewatched December 30, 2024
★★★★½ I first saw The Pledge when I was in High School after I read that the movie was on The Great Movie List by Roger Ebert. Great cast, plot and ending, what could I ask for more?
First Class: our favorite first-time watches of 2024
From subversive westerns and Technicolor marvels to Latvian gems and documentaries on pickup truck competitions, Letterboxd staff and contributors share our favorite first-time watches of 2024, scanning the decades from 1913 to 2018.
Heretic (2024)
★★★★ For me, this movie makes me rethink what I thought I believed, in general (not only restricted to religion/beliefs)
Paradise Found: Paul Williams on bringing the sounds and Swan to Phantom of the Paradise
For the 50th anniversary of Brian De Palma’s madcap rock musical Phantom of the Paradise, Aimee Knight speaks with Paul Williams, the man behind its sensational symphonies and sinister Swan.