Blondshell's Sabrina Teitelbaum favourite songs
For many artists, their art is a recollection of life. While the source makes the work meaningful, where do you draw the line?
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Bedridden’s "Philadelphia Got Me Through" feels like stepping into a mosh pit of angry gymnasts | Tracks
Yes, it’s that intense.
Falling Upwards With Sam Akpro | Interview
Transcending his South East London roots as well as the played-out ‘genreless’ tag, Sam Akpro knows exactly who he is and what he’s doing, as Jamie Wilde reports from Peckham.
Meljoann comments on our modern dystopia in infectious experimental pop track “Data Ghost” | Tracks
Are the stories of some futuristic dystopian films still a thing of fiction, or have they become a reflection of the current age?
Isabella Storm steps into her power with addictive dance-pop track “Satan’s Valentine” | Tracks
Past lovers might not get away with our hearts, but they do take something almost equally as precious: our time. That’s the real heartbreak.
Roomer’s latest track “Chance” is a shoegaze slow dance in an impossible storm | Tracks
Chasing after love could take you a lifetime. To save yourself the hours, and the heartbreak, burgeoning dream-pop group Roomer suggest you leave things to chance instead in their aptly-named new single.
Luvcat puts on her rose-coloured glasses in hazy new pop track “Love & Money” | Tracks
When blinded by the euphoria of love or lust, it feels like the perfect time to live life with reckless abandon. Depending on your perspective, it’s an easy trap to fall into, or an opportunity to chase to its fullest.
Folk darling Natalie Wildgoose’s “Angel” is as tender as a declaration of love | Tracks
In a world like this one, we still have the choice to be still, contemplative, and kind, but it takes bravery to be that vulnerable. Artists like Natalie Wildgoose can help us get there.
Alt-rock group she’s green shares dreamy new shoegaze track “graze” | Tracks
Inspired by the vast Midwestern terrain that informs their lives, the underground shoegaze group she’s green steeps textured alt-rock sounds in dream-pop tenderness.
James Brandon Lewis's favourite songs | Nine Songs interview
What musicians believe about life inevitably seeps into their sound. In turn, one of the most valuable gifts music offers us is perspective.
mynameisntjmack can’t escape the irony in his latest alt-rap track “argue typing” | Tracks
Maybe we all secretly love the delicious torture of what rising alternative rapper mynameisntjmack calls “argue typing”.
Indie-rocker Camille Schmidt asks the impossible in her revealing new track “Cult in Denver” | Tracks
Every time we fall in love, it feels like the last. All-encompassing in its hazy euphoria, this one feeling has more power over us than anything, and its startling effects force us to ask impossible questions.
Cryogeyser shows a resilient tenderness in vulnerable slowcore track “Stargirl” | Tracks
Even in the darkness, we transform. Purveyors of shoegaze and grunge genres like Cryogeyser know this truth well, spilling out those knowing hearts accordingly in wildly cathartic alt-rock ballads. With bold guitars and wickedly honest lyrics, the songs both refresh and revive with their simultaneous truth and grittiness.
Emily Burns confronts matters of the heart on Die Happy
Yet, it wouldn’t have been released without the insistence of her producer Cameron McVey and girlfriend Grace. Invoking the likes of Lauren Aquilina and Wrabel, the 12-track anthology divides its time pretty evenly between piano and guitar to tell stories about finding, cherishing, and grieving love. The opening title track …
Filmore! explores the unpredictability of life in textured D&B track “It Never Ends" | Tracks
The work of the heart is often something of a tightrope walk between fulfillment and despair. While navigating these realities is often difficult, it also, ironically, makes for great fodder for more art too.
sweet93 questions reality in dreamy new shoegaze track "what's true?" | Tracks
For most experimental fans, the lure of shoegaze, dense noise pop, or fuzzy alt-rock lies in the innate mystery of these songs. It’s those addictive reverb-laden choruses, the whispered lyrics, and instrumentals as vast and varied as a kaleidoscope we just can’t get enough of. There’s something hiding in this …
Kaeto: "Any artist should be able to try on different hats and create different things" | Interview
From forward-thinking soundscapes to captivating visuals, and even crafting her own sustainable merch with t-shirts from her local charity shop, as Kaeto prepares to release her debut mixtape INTRO, the boundaries to her creative potential are limitless...
The Lemon Twigs' reference points on their new album | Interview
On their sixth album A Dream Is All We Know, The Lemon Twigs pay tribute to the lush, layered sounds of bygone eras.
girl in red: I'M DOING IT AGAIN BABY! Review - refreshing return | Indie
But the project, mainly its lead single collaboration with producer Finneas on “Serotonin”, shot her into a stardom she hadn’t experienced before. After that, depression and endless touring took its toll on the artist, and she had to postpone several shows due to voice issues. In interviews done during this …
The best songs by Ride and Mark Gardener | Interview
Ahead of the release of Ride’s seventh album Interplay, Mark Gardener talks Jamie Wilde through five pivotal songs of his career, taking in solo work, collaborations, and his reunited band.
Turning inwards with Sam Evian
A prolific producer nestled in the woody tranquillity of his home and studio in upstate New York, Sam Evian has worked with the likes of Big Thief, Palehound, Blonde Redhead and Cass McCombs, and is also a brilliant artist in his own right.
Cherym strike moments of gold on debut Take It Or Leave It
The Derry band epitomise the new age, bringing the political as well as the personal and echoing something of Meet Me @ The Altar across the pond. Their earworm 2019 single "Abigail" arrived steeped in vintage pop-punk influences, and was backed up two years later by the Hey Tori EP. …
Zara Larsson: Venus Review - guarded transition | Pop
Thus far we know Larsson as a classic pop diva – saccharine pop so catchy it has quite a short-lived expiration date.
Kali Uchis: Orquídeas Review - harmonious inherent rhythm | Pop
Kali Uchis dives further into the divine on the genre-bending Orquídeas.
The Goa Express: The Goa Express Review - refreshing and melodic | Indie
With their self titled debut album coming over four years after the band’s first release, its proceeding releases have flirted with various genres including indie pop, psych pop and indie rock. so the announcement of an album was greeted with anticipation and wonder. What’s delivered is a youthful and expressive …
Baby Queen emerges from the trenches of her early twenties on Quarter Life Crisis
The South African-born singer – real name Bella Latham – has curated a signature sound that sees breezy indie pop writhing in satirical nihilism; on her long-awaited full-length, it’s clear nothing has changed. It’s a reputation somewhat at odds with Heartstopper, a determinedly rose-tinted and (if you’re over the age …
CMAT: Crazymad, For Me Review - ambition meets concept | Country
She’s an artist who has hit a creative purple patch on album number two; imagining, and delivering, a story worthy of its creator’s prowess. While addressing themes not unheard of on a pop record, Crazymad, For Me is still a unique piece of work; creating a psychedelic soundscape with a …
Holly Humberstone: graduates from teenage bedroom pop to a broader pop tonality
From the very first single "Deep End" (which currently sits at a comfortable number of 32 million plays on Spotify) she immediately joined the likes of Billie Eilish as one of the faces for the new generation of alternative pop.
Dorian Electra deserves a world of acclaim for Fanfare
Though, to be fair, their first two albums had already made that pretty clear. 2019’s Flamboyant was a thumping, glittering pickaxe to masculinity, paving the way for the opulent absurdity of 2020’s My Agenda. Their eclectic sound earned them the slightly ham-fisted term ‘hyperpop’ alongside the likes of Charli XCX …
Yeule: softscars Review - healing process heads inwards | Pop
Nat Ćmiel had a secluded upbringing, experiencing isolation from their peers due to asthma-related difficulties and growing up with OCD. Like many, they took to the internet as an escape and interacted with the world through forums and social networking sites like Tumblr. This was also the start of their …